Sunday, February 12, 2017

3:00pm

Sunset Center, Carmel

Single Tickets: $60, $53, & $45

Single Tickets available August 1

Click for ticket information


Program

Ned Rorem:
  I am Rose (Stein)
Louiguy:
  La Vie en Rose (Piaf)
Richard Strauss:
  Rote Rosen (Stieler)
Strauss:
  Die Erwachte Rose (Sallet)

Carol Hall:
  Jennie Rebecca
Jake Heggie:
  Paper Wings (Von Stade)

Gustav Mahler:
  Liebst du um Schönheit (Rückert)
Gabriel Fauré:
  Mandoline (Verlaine)
Heggie:
  “Daybreak” from Three Decembers (Scheer)
Ambroise Thomas:
“Me voici dans son boudoir” from Mignon

INTERMISSION

Mahler:
  Lob des hohen Verstandes
Jules Massenet:
  “Va! Laisse couler mes larmes” from Werther W.A. Mozart:
  “Voi che sapete” from Le Nozze di Figaro

Jerome Kern:
  “Bill” from Show Boat (Hammerstein)
Leonard Bernstein:
  “A Little Bit in Love” from Wonderful Town
Georges Bizet:
  Habañera from Carmen
Francis Poulenc:
  Hôtel (Apollinaire)
William Bolcom:
  Amor (Weinstein)

Rodgers & Hart:
  “My Funny Valentine” from Babes in Arms
Rodgers & Hart:
  “Everybody Loves You When You’re Asleep”
Stephen Sondheim:
  “Send in the Clowns” from A Little Night Music
Rodgers & Hammerstein:
  “I Cain’t Say No” from Oklahoma!


Online Resources

Frederica von Stade Website

Complete Discography

CDs Available on Amazon.com

Frederica von Stade on YouTube


 

Frederica von Stade,
 mezzo-soprano
and Jake Heggie, piano

"Even if she were not one of the great singers of our day, mezzo-soprano Frederica von Stade could probably draw a full house of people eager just to be in her presence and watch her be herself. She's that enchanting. Von Stade communicates something to her listeners - a startling radiance compounded of serene grace and simple delight - that few other recitalists can match."
- Joshua Kosman, San Francisco Chronicle

"During the past three decades, Frederica von Stade has gathered legions of admirers worldwide. They're a fiercely loyal company, and it's easy to understand why. Her stage performances and recitals combine superior artistry with emotional directness, clarity of tone with crystalline diction, natural elegance with unpretentious passion."
- Donald Spoto, Opera News

Described by the New York Times as "one of America's finest artists and singers," Frederica von Stade continues to be extolled as one of the music world's most beloved figures. Known to family, friends, and fans by her nickname "Flicka," the mezzo-soprano has enriched the world of classical music for three decades.

Miss von Stade's career has taken her to the stages of the world's great opera houses and concert halls. She began at the top, when she received a contract from Sir Rudolf Bing during the Metropolitan Opera auditions, and since her debut in 1970 she has sung nearly all of her great roles with that company.

In January 2000, the company celebrated the 30th anniversary of her debut with a new production of The Merry Widow specifically for her, and in 1995, as a celebration of her 25th anniversary, the Metropolitan Opera created for her a new production of Pelléas et Mélisande.

In addition, Miss von Stade has appeared with every leading American opera company, including San Francisco Opera, Lyric Opera of Chicago, and Los Angeles Opera. Her career in Europe has been no less spectacular, with new productions mounted for her at Teatro alla Scala, Royal Opera Covent Garden, the Vienna State Opera, and the Paris Opera.

She is invited regularly by the finest conductors, among them Claudio Abbado, Charles Dutoit, James Levine, Kurt Masur, Riccardo Muti, Seiji Ozawa, André Previn, Leonard Slatkin, and Michael Tilson Thomas, to appear in concert with the world's leading orchestras, including the Boston Symphony Orchestra, Chicago Symphony, Cleveland Orchestra, New York Philharmonic, Philadelphia Orchestra, San Francisco Symphony, London Symphony Orchestra, Washington's National Symphony, and the Orchestra of La Scala.

Unparalleled in her artistry as a recitalist, Miss von Stade combines her expressive vocalism and exceptional musicianship with a rare gift for communication, enriching audiences throughout the world. Here, too, her repertoire encompasses a rich variety, from the classical style of Mozart and Haydn to the popular songs of Broadway's greatest musicals; from Italian "Arie antiche" to the songs of contemporary composers - who compose especially for her - such as Dominick Argento and Jake Heggie. She continues to explore new music and recently brought a program of the songs of Pauline Viardot to London's Wigmore Hall and the Théâtre Musical de Paris.

She has made over seventy recordings with every major label, including complete operas, aria albums, symphonic works, solo recital programs, and popular crossover albums. Her recordings have garnered six Grammy nominations, two Grand Prix du Disc awards, the Deutsche Schallplattenpreis, Italy's Premio della Critica Discografica, and "Best of the Year" citations by Stereo Review and Opera News. She has enjoyed the distinction of holding simultaneously the first and second places on national sales charts for Angel/EMI's Show Boat and Telarc's The Sound of Music.

She can be seen in "Live from the Met" performances as Cherubino, Hansel, and Idamante, and through PBS broadcasts of her celebration of the art of American song with Thomas Hampson, Marilyn Horne, Dawn Upshaw and Jerry Hadley in a program at New York's Town Hall titled "I Hear America Singing," as well as a program with Tyne Daly which included arias, art songs and popular crossover material. Also seen on PBS were a holiday special, "Christmas with Flicka," shot on location in Salzburg, "A Carnegie Hall Christmas" with Kathleen Battle, and an evening of operatic and musical theater selections with Samuel Ramey and Jerry Hadley titled "Flicka and Friends." Her recent portrayals in Dangerous Liaisons and The Aspern Papers were broadcast throughout North America. She can also be seen in the Unitel film of the classic Jean-Pierre Ponnelle production of La cenerentola.

Frederica von Stade is the holder of honorary doctorates from Yale University, Boston University, the San Francisco Conservatory of Music (which holds a Frederica von Stade Distinguished Chair in Voice), the Georgetown University School of Medicine, and her alma mater, the Mannes School of Music. In 1998 Miss von Stade was awarded France's highest honor in the Arts when she was appointed as an officer of L'Ordre des Arts et des Lettres, and in 1983 she was honored with an award given at The White House by President Reagan in recognition of her significant contribution to the arts.